Marco_Portrait“One of the foremost colorists working in America today, Sassone is an artist who developed his own personal, expressive vision early in his career, and who has steadfastly remained faithful to it while refining and developing it to the full power and maturity that is seen in his works today.”Janet Dominik, Bernheim-Jeune, Paris, 1988.

Marco Sassone was born in Campi Bisenzio, a Tuscan village, in 1942. The family moved to Florence in 1954, and there he met painters Ottone Rosai and Ugo Maturo, who encouraged him to follow his interest in art. In 1959 he enrolled at the Istituto Galileo Galilei, where he studied architectural drafting for several years. In 1963 he studied with painter Silvio Loffredo, a professor of art at the Accademia in Florence, himself a pupil of the Austrian master Oskar Kokoschka.

Loffredo encouraged him to develop his own style and vision. For inspiration, Sassone studied the works of the 19th century Italian impressionists, the Macchiaioli – Giovanni Fattori, Vito D’Ancona and Silvestro Lega. He began exhibiting his first works at Lo Sprone Cultural Center in Florence.1960's_Flood

In November 1967, soon after the flood had devastated his city, Sassone moved to California. He exhibited for the first time in the United States at the Dalzell-Hatfield Galleries in Los Angeles and became a regular exhibitor at the annual Festival of the Arts in Laguna Beach.

Throughout the seventies, he exhibited extensively in the U.S. and abroad. In 1976 he collaborated with director John Wilson to produce an autobiographical documentary. The following year his work was exhibited at the National Academy of Design in New York. Marco Sassone received a gold medal in 1978 from the Italian Academy of Arts, Literature and Science. In 1979 the monograph Sassone by art historian Donelson Hoopes was published in concurrence with the artist’s exhibition at the Laguna Art Museum. With prescience, Hoopes had observed: “Sassone’s art has evolved from within, and such an organic, psychological and spiritual process may take his work along new and unforeseen paths.”

In 1981 Sassone moved his studio to San Francisco. During the 80’s his exhibition schedule continued along with his numerous lectures. In 1982 Marco Sassone was knighted by the president of Italy, Sandro Pertini, into the “Order of the Merit of the Italian Republic”. In 1987 Sassone received a commendation from Los Angeles Mayor Tom Bradley for his “contribution to the community through his art.” In March 1988, the Los Angeles Municipal Art Gallery mounted his solo exhibition titled Sassone with the publication of a catalogue authored by Janet Dominik. The show travelled to Paris and was installed at the historic Bernheim-Jeune Gallery for the month of April.

By the late eighties, the artist had become increasingly concerned with social themes. He began extensive and personal research on the homeless and painted a series of large canvasses and charcoal drawings portraying the life he observed on the streets of San Francisco. A number of these works were exhibited at the Chicago International Art Exposition, the Basel Art Fair in Switzerland, Body Politic at the San Francisco Arts Commission Gallery and Issue of Choice at the Los Angeles Contemporary Exhibition (LACE).

In March of 1994, his exhibition “Home on the Streets” opened at the Museo ItaloAmericano in San Francisco. Kenneth Baker, art critic for the San Francisco Chronicle wrote about his work: “There is true technical brilliance here…In the drawings, his technique seems to discover fresh descriptive possibilities each time out.” The exhibition traveled to Los Angeles in 1996 and Florence, Italy in 1997, where it was installed in the Cloisters of the Santa Croce Church. Paola Bortolotti, art critic for La Nazione, wrote: “The persistent theme however does not carry a denunciation of a social problem, but it is rather the pretext to pour forth onto canvas the urgency of the brush strokes loaded with pigment and light.”

1997_muralIn 1997 Marco Sassone received a commission to create a 200 square foot mural in downtown San Francisco. The finished work comprised five canvasses dedicated to the theme of Il Palio is presently in the permanent collection of Santa Clara University, Santa Clara, California.

In May, 2001, the Museo ItaloAmericano in San Francisco inaugurated the exhibition, “Master and Pupil,” with works by Oskar Kokoschka, Silvio Loffredo, Marco Sassone. Author Peter Selz, writing in the catalogue, described the link between the three artists: “A canvas like Chinese Reds (1990) in scarlet color relates to the chromatic scheme of his teacher’s Angel of Death (1998), while alarming paintings like Marlboro Country (1990) with its human skulls spread in the foreground, or Coit Tower Night (1988) – a painting of deep blue water, a brown hill and a violent purple sky – all done with an agitated brush, elicit a fervent emotion, comparable to the sensations evoked by the canvases of Kokoschka himself.”MasterPupil_2003

The Palazzo Ducale Museum in Massa-Carrara, Italy presented his retrospective exhibition in March-April, 2002 with the publication of a catalogue authored by Massimo Bertozzi. The exhibition was reviewed by La Nazione, Florence and La Repubblica, Rome. Ilaria Bonuccelli wrote for La Repubblica, “The man with blue eyes stares out at you. No concessions made. He offers you – perhaps forces upon you – a magnified view of trashed humanity. The kind that rummages around along the sidewalks of San Francisco. His pupils gape at an interior world which he invites you to enter, without knocking. The brush-strokes are merciless. ”

Master and Pupil was installed in the Cloister of Sant’ Agostino Museum in Pietrasanta, Italy in 2003. Milly Mostardini wrote in a review for Il Tirreno: “From Kokoschka to Loffredo and Sassone: The lessons are passed on from master and pupil. Sassone’s expressionism leads to visionary transformations, in an intense dance of chromatic impastos, with furious, explosive strokes of pigment.”

In 2005 Marco Sassone relocated his studio to Toronto, Canada and immediately forged a rapport with the city.

2007_StudioIn 2008 his exhibition Marco Sassone: Toronto opened on April 3 at Odon Wagner Contemporary. Jonathan Goodman, art critic for Art in America, wrote in the exhibition catalogue, “Sassone’s audience approaches his work knowing that the paintings are in dialogue with a tradition going back to the early twentieth century. His expressionism escapes the epithet of anachronistic, however, by being so sharply lived. While his works are not overly emotional, they gain success because they relate to a complete life of the imagination in which feelings and intellect combine. “ Deirdre Kelly wrote in the Globe and Mail: “With gestural brush strokes and an expressionistic use of color, Sassone romanticizes such banal views as a Carlaw parking lot and the westbound Gardiner Expressway.”

In that same year, 2008, Marco Sassone received a commission to create a mural for the lobby of the Bellagio, a glass tower in downtown Toronto. The artist prepared drawings and a final study in pastel, in scale for the space. The completed work, comprised of three panels and titled Waterfront, was installed in late October.

Sassone’s ouvre encompasses paintings, ceramics, installations and an array of works on paper such as drawings, watercolors, pastels and silkscreens.

In recent years, Marco Sassone’s exhibitions have included David Findlay Jr. Fine Art, New York (2010): Shrine of Saint Francis, San Francisco (2010): Santuario at Palazzo dell’Informazione, Rome (2010); Architecture and Nature at Price Tower Art Center, Oklahoma (2012); Oil and Water at San Angelo Museum, Texas (2014); Orange Coast College, Costa Mesa, California (2016); His Boots and Other Works at Bata Museum, Toronto (2016); and Viaticus at Berenson Fine Art, Toronto (2017).

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